BOSTON-EQ-Nebmanual

Under this category, there are the sub-categories “ONE, TWO, and ALL.”
“ONE” contains 12 programs, one for each individual frequency. “TWO” provides you with six programs of ‘pairs,’ which allows you to load two interactive frequency bands at a time.
“ALL” provides a single program with all 12 frequency bands on a single controller.
All programs are in “clean” mode, meaning that they do not contain any harmonic distortion. This eq is designed to only affect frequencies and to allow the distortion/overdrive pedal and/or guitar/instrument amp to provide the desired distortion effects.

Program List

BTQ-52Hz
BTQ-125Hz
BTQ-250Hz
BTQ-500Hz
BTQ-700Hz
BTQ-1kHz
BTQ-1.4kHz
BTQ-2kHz
BTQ-2.8kHz
BTQ-4kHz
BTQ-8kHz
BTQ-16kHz
BTQ-52-125Hz
BTQ-250-500Hz
BTQ-700-1000Hz
BTQ-1400-2000Hz
BTQ-2800-4000Hz
BTQ-8000-1600Hz
BTQ-ALL

BTQ-52Hz
This program provides you with the BTQ single frequency 52Hz.

BTQ-125Hz
This program is the same as above with the single frequency 125Hz.

BTQ-250Hz
This program is the same as above with the single frequency 250Hz.

BTQ-500Hz
This program is the same as above with the single frequency 500Hz.

BTQ-700Hz
This program is the same as above with the single frequency 700Hz.

BTQ-1kHz
This program is the same as above with the single frequency 1kHz.

BTQ-1.4kHz
This program is the same as above with the single frequency 1.4kHz.

BTQ-2kHz
This program is the same as above with the single frequency 2kHz.

BTQ-2.8kHz
This program is the same as above with the single frequency 2.8kHz.

BTQ-4kHz
This program is the same as above with the single frequency 4kHz.

BTQ-8kHz
This program is the same as above with the single frequency 8kHz..

BTQ-16kHz
This program is the same as above with the single frequency 16kHz.

BTQ-52-125Hz
This program allows you to use 52Hz and 125Hz in a single combined program. Steps are graded for low cpu and maximum usability.

BTQ-250-500Hz
This program allows you to use 250Hz and 500Hz in a single combined program. Steps are graded for low cpu and maximum usability.

BTQ-700-1000Hz
This program allows you to use 700Hz and 1000Hz in a single combined program. Steps are graded for low cpu and maximum usability.

BTQ-1400-2000Hz
This program allows you to use 1400Hz and 2000Hz in a single combined program. Steps are graded for low cpu and maximum usability.

BTQ-2800-4000Hz
This program allows you to use 2800Hz and 4000Hz in a single combined program. Steps are graded for low cpu and maximum usability.

BTQ-8000-16000Hz
This program allows you to use 8000Hz and 16000Hz in a single combined program. Steps are graded for low cpu and maximum usability.

BTQ-ALL
This program provides all 12 freqeuency bands on a single control. It uses the most resources compared to other programs in the collection, but offers the most flexibility.

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About the “BOSTON-GTR-EQ FOR NEBULA PRO”

The “BOSTON-GTR-EQ FOR NEBULA PRO” offers a total of 19 programs for maximum flexibility in reproducing the authentic EQ used by Tom Scholz, legendary guitarist for Boston.
To describe the purpose and use of this excellent, clean eq, let me share the words of Mr. Scholz himself:

“[…]a couple of years ago we designed a graphic equalizer. Now, how crazy is that? There are dozens of them on the market, but there was not a single one that could be used with a guitar level signal, was footswitcheable, had a decent signal-to-noise ratio, and could give better than an octave resolution. We tried to modify existing units, but finally gave up and designed the stupid thing so we would have what we needed.” (Tom Scholz in Guitar World, Feb. 90).

Scholz is responsible for those unmistakable guitar tones from some of the best rock tracks of the 1980’s, which remain among the most memorable and treasured classics to this day. This release provides you with the eq that he designed to achieve these tones which he personally tracked to tape. You can use these tones directly from your guitar into your choice of amps, combo’s, and vst guitar rigs, and you can also use it post-distortion, in a loop. Get the most tone shaping from using it before and after distortion. You can choose individual bands, paired groups, and all 12 of them on a single controller for maximum flexibility and resource use in your DAW. Place these in parallel with duplicate tracks to recreate the exact behavior of the eq, or use in any manner that fits your own tone-shaping process.

Use an individual band, pairs of bands, or a program with all 12 bands on a single dial. You decide the best way to set up your session.

If you wish to use multiple frequencies on a single guitar track or a stereo track, you can do so in parallel by placing NebPro on the first track and load the first “TWO” program from BTQ. duplicate the track and change the program to the next two frequencies you wish to use on the same track.

You can also create bus groups with the bands loaded and send tracks to each bus as desired.

For maximum flexibility, you can load one instance or multiple instances before your guitar amp setup and also after, so that the natural tone of the guitar is being eq’d going to your rig, whether hardware or vst, and once it is processed it can be eq’d after your rig as well. You may find that the easiest way to do this is to

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