Library Creator: Michael Angel, www.CDSoundmaster.com
Manual Index
Installation
For PC Users:
Use the included installer to select
your NebulaTempRepository Folder to install
the collection there. Or, you can simply copy all "n2p"
files to your
Nebula "Programs" folder and copy all "n2v"
files to your "Vectors" folder.
For Mac Users:
The Programs
The EQ presets run directly through the amp “preamp” input at low and high gain settings,
sent directly out of the effect “send” output so that it bypasses the entire output power stage
and cabinet speaker output.
The Producer’s Pack 3 – GTR VTQ Presets for Nebula Pro provides you with Preset EQ settings
from the finest single emulation combo amp. These EQ presets allow the user to use these
EQ presets separate from the rest of the signal chain so that it can be combined with
their favorite selection of guitar processing tools, from distortion and overdrive to
cabinet speakers. Settings include flat, scooped, low, mid, high, and presence boost and cut settings,
all dependent on the original amp selected.
You must be using an updated version of Nebula Pro Commercial for this collection.
It is designed to be used with the “Reverb” instance of Neb Pro.
Program Description:
“HG” for High Gain settings “LG” for Low Gain settings “CLN” for Clean, No Harmonic settings The final sub-category beneath these provide abbreviations for each amp eq modeled. These designate the following:
A15 – AC15
15T – AC15 TOP BOOST
A30 – AC30
30T – AC30 TOP BOOST
BLK – BLACK 2X12
BCL – BOUTIQUE CLEAN
BOD – BOUTIQUE OVERDRIVE
REC – RECTIFIER
T12 – TWEED 1X12
T41 – TWEED 4X10
UKM – UK MODERN
U70 – UK 70’S
U80 – UK 80’S
U90 – UK 90’S
UBL – UK BLUES
UHG – U.S. HIGH GAIN
Program List
THIS SAME LIST IS REPEATED FOR:
ENDING IN “LG” FOR LOW GAIN
ENDING IN “C” FOR CLEAN
A15-FLAT-HG
A15-TB-BT-HG
A15-TB-CUT-HG
A15-TB-CUT1-HG
A15TB-FLAT-HG
A15TB-H-BST-HG
A15TB-H-CUT-HG
A15TB-L-BST-HG
A15TB-L-CUT-HG
A15TB-LH-BST-HG
A15TB-LH-CUT-HG
A30-BST-HG
A30-CUT-HG
A30-FLAT-HG
A30TB-FLAT-HG
A30TB-H-BST-HG
A30TB-H-CUT-HG
A30TB-L-BST-HG
A30TB-L-CUT-HG
A30TB-LH-BST-HG
A30TB-LH-CUT-HG
A30TB-TB-BST-HG
A30TB-TB-CT-HG
BLK2X12-FLAT-HG
BLK2X12-H-BST-HG
BLK2X12-H-CUT-HG
BLK2X12-L-BST-HG
BLK2X12-L-CUT-HG
BLK2X12-M-CUT-HG
BLK2X12-MBST-HG
BLK2X12-MBST2-HG
BLK2X12-P-BST-HG
BLK2X12-P-CUT-HG
BLK2X12-SCOOP-HG
BOUT-CL-FLAT-HG
BOUT-CL-H-BST-HG
BOUT-CL-H-CUT-HG
BOUT-CL-L-BST-HG
BOUT-CL-L-CUT-HG
BOUT-CL-M-BST-HG
BOUT-CL-M-CUT-HG
BOUT-CL-P-BST-HG
BOUT-CL-P-CUT-HG
BOUT-CL-SCOOP HG
BOUT-OD-FLAT-HG
BOUT-OD-H-BST HG
BOUT-OD-H-CUT HG
BOUT-OD-L-BST HG
BOUT-OD-L-CUT HG
BOUT-OD-M-BST HG
BOUT-OD-M-CUT HG
BOUT-OD-P-CUT HG
BOUT-OD-SCOOP-HG
RECTO-FLAT-HG
RECTO-H-BST-HG
RECTO-H-CUT-HG
RECTO-L-BST-HG
RECTO-L-CUT-HG
RECTO-M-BST-HG
RECTO-M-CUT-HG
RECTO-P-BST-HG
RECTO-P-CUT-HG
RECTO-SCOOP-HG
TWD1X12-BST-HG
TWD1X12-CUT-HG
TWD1X12-FLAT-HG
TWD4X10-FLAT-HG
TWD4X10-H-BST-HG
TWD4X10-H-CUT-HG
TWD4X10-L-BST-HG
TWD4X10-L-CUT-HG
TWD4X10-M-BST-HG
TWD4X10-M-CUT-HG
TWD4X10-MH1-HG
TWD4X10-MH2-HG
TWD4X10-MH3-HG
TWD4X10-MH4-HG
TWD4X10-MH5-HG
TWD4X10-MH6-HG
TWD4X10-P-BST-HG
TWD4X10-P-CUT-HG
TWD4X10-SCOOP-HG
UK MOD-FLAT-HG
UK MOD-H-BST-HG
UK MOD-H-CUT-HG
UK MOD-L-BST-HG
UK MOD-L-CUT-HG
UK MOD-M-BST-HG
UK MOD-M-CUT-HG
UK MOD-P-BST-HG
UK MOD-P-CUT-HG
UKMOD-SCOOP-HG
UK70S-FLAT-HG
UK70S-H-BST-HG
UK70S-H-CUT-HG
UK70S-L-BST-HG
UK70S-L-CUT-HG
UK70S-M-BST-HG
UK70S-M-CUT-HG
UK70S-P-BST-HG
UK70S-P-CUT-HG
UK70S-SCOOP-HG
UK80S-FLAT-HG
UK80S-H-BST-HG
UK80S-H-CUT-HG
UK80S-L-BST-HG
UK80S-L-CUT-HG
UK80S-M-BST-HG
UK80S-M-CUT-HG
UK80S-P-BST-HG
UK80S-P-CUT-HG
UK80S-SCOOP-HG
UK90S-FLAT-HG
UK90S-H-BST-HG
UK90S-H-CUT-HG
UK90S-L-BST-HG
UK90S-L-CUT-HG
UK90S-M-BST-HG
UK90S-M-CUT-HG
UK90S-P-BST-HG
UK90S-P-CUT-HG
UK90S-SCOOP-HG
UKBLS-FLAT-HG
UKBLS-H-BST-HG
UKBLS-H-CUT-HG
UKBLS-L-BST-HG
UKBLS-L-CUT-HG
UKBLS-M-BST-HG
UKBLS-M-CUT-HG
UKBLS-P-BST-HG
UKBLS-P-CUT-HG
UKBLS-SCOOP-HG
US-HIGN-FLAT-HG
US-HIGN-H-BST-HG
US-HIGN-H-CUT-HG
US-HIGN-L-BST-HG
US-HIGN-L-CUT-HG
US-HIGN-M-BST-HG
US-HIGN-M-CUT-HG
US-HIGN-P-BST-HG
US-HIGN-P-CUT-HG
US-HIGN-SCOOP-HG
A15-FLAT-HG
AC15 EQ set to a flat setting at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15-TB-BT-HG
AC15 Top Boost EQ Bright at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15-TB-CUT-HG
AC15 Top Boost EQ slight Cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15-TB-CUT1-HG
AC15 Top Boost EQ full Cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-FLAT-HG
AC15 Top Boost – EQ set to Flat at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-H-BST-HG
AC15 Top Boost – EQ set to High Boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-H-CUT-HG
AC15 Top Boost – EQ set to High Cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-L-BST-HG
AC15 Top Boost – EQ set to Low Boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-L-CUT-HG
AC15 Top Boost – EQ set to Low Cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-LH-BST-HG
AC15 Top Boost – EQ set to Low and High Boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A15TB-LH-CUT-HG
AC15 Top Boost – EQ set to Low and High Cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30-BST-HG
AC30 – Top Boost EQ set to full boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30-CUT-HG
AC30 – Top Boost EQ set to full CUt at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30-FLAT-HG
AC30 – Top Boost EQ set to a centered ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-FLAT-HG
AC30 Top Boost – Top Boost EQ set to a centered ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-H-BST-HG
AC30 Top Boost – High EQ set to full boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-H-CUT-HG
AC30 Top Boost – High EQ set to full cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-L-BST-HG
AC30 Top Boost – Low EQ set to full boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-L-CUT-HG
AC30 Top Boost – Low EQ set to full cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-LH-BST-HG
AC30 Top Boost – Low and High EQ set to full boost at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-LH-CUT-HG
AC30 Top Boost – Low and High EQ set to a full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-TB-BST-HG
AC30 Top Boost – Top Boost EQ set to a full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
A30TB-TB-CT-HG
AC30 Top Boost – Top Boost EQ set to full cut at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-FLAT-HG
Black 2×12 – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-H-BST-HG
Black 2×12 – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-H-CUT-HG
Black 2×12 – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-L-BST-HG
Black 2×12 – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-L-CUT-HG
Black 2×12 – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-M-CUT-HG
Black 2×12 – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-MBST-HG
Black 2×12 – Mid EQ set to 3/4 boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-MBST2-HG
Black 2×12 – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-P-BST-HG
Black 2×12 – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-P-CUT-HG
Black 2×12 – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BLK2X12-SCOOP-HG
Black 2×12 – EQ set to full cut position of the Mid EQ and full boost of the
Low and High EQ’s at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-FLAT HG
Boutique Clean Channel – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-H-BST-HG
Boutique Clean Channel – Hi EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-H-CUT-HG
Boutique Clean Channel – Hi EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-L-BST-HG
Boutique Clean Channel – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-L-CUT-HG
Boutique Clean Channel – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-M-BST-HG
Boutique Clean Channel – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-M-CUT-HG
Boutique Clean Channel – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-P-BST-HG
Boutique Clean Channel – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-P-CUT-HG
Boutique Clean Channel – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-CL-SCOOP-HG
Boutique Clean Channel – Mid EQ set to full cut position and High and Low
EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-FLAT-HG
Boutique Overdrive Channel – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-H-BST HG
Boutique Overdrive Channel – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-H-CUT HG
Boutique Overdrive Channel – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-L-BST HG
Boutique Overdrive Channel – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-L-CUT HG
Boutique Overdrive Channel – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-M-BST HG
Boutique Overdrive Channel – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-M-CUT HG
Boutique Overdrive Channel – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-P-BST HG
Boutique Overdrive Channel – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-P-CUT HG
Boutique Overdrive Channel – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-SCOOP-HG
Boutique Overdrive Channel – Mid EQ set to full cut position and High and Low EQ
set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
BOUT-OD-P-CUT HG
Boutique Overdrive Channel – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-FLAT-HG
Rectifier – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-H-BST-HG
Rectifier – High EQ set to the full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-H-CUT-HG
Rectifier – High EQ set to the full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-L-BST-HG
Rectifier – Low EQ set to the full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-L-CUT-HG
Rectifier – Low EQ set to the full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-M-BST-HG
Rectifier – Mid EQ set to the full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-M-CUT-HG
Rectifier – Mid EQ set to the full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-P-BST-HG
Rectifier – Presence EQ set to the full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-P-CUT-HG
Rectifier – Presence EQ set to the full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
RECTO-SCOOP-HG
Rectifier – Mid EQ set to the full cut position and the Low and High EQ
set to a full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD1X12-BST-HG
Tweed 1×12 – “Tone” Control, High EQ set to the full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD1X12-CUT-HG
Tweed 1×12 – “Tone” Control, High EQ set to the full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD1X12-FLAT-HG
Tweed 1×12 – “Tone” Control, High EQ set to the ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-FLAT-HG
Tweed 4X10 – EQ set to the ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-H-BST-HG
Tweed 4X10 – High EQ set to the boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-H-CUT-HG
Tweed 4X10 – High EQ set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-L-BST-HG
Tweed 4X10 – Low EQ set to the boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-L-CUT-HG
Tweed 4X10 – Low EQ set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-M-BST-HG
Tweed 4X10 – Mid EQ set to the boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-M-CUT-HG
Tweed 4X10 – Mid EQ set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-MH1-HG
Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive.
To provide this effect for variations in tone, MH1-Through-MH6 allow you to use
settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the
High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up
with the High EQ turned all of the way down.
set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-MH2-HG
Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive.
To provide this effect for variations in tone, MH1-Through-MH6 allow you to use
settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the
High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up
with the High EQ turned all of the way down.
set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-MH3-HG
Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive.
To provide this effect for variations in tone, MH1-Through-MH6 allow you to use
settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the
High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up
with the High EQ turned all of the way down.
set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-MH4-HG
Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive.
To provide this effect for variations in tone, MH1-Through-MH6 allow you to use
settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the
High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up
with the High EQ turned all of the way down.
set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-MH5-HG
Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive.
To provide this effect for variations in tone, MH1-Through-MH6 allow you to use
settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the
High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up
with the High EQ turned all of the way down.
set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-MH6-HG
Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive.
To provide this effect for variations in tone, MH1-Through-MH6 allow you to use
settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the
High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up
with the High EQ turned all of the way down.
set to the cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-P-BST-HG
TWEED 4X10 – Presence EQ set to the full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-P-CUT-HG
TWEED 4X10 – Presence EQ set to the full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
TWD4X10-SCOOP-HG
TWEED 4X10 – Mid EQ set to the full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-FLAT-HG
UK Modern – EQ set to the ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-H-BST-HG
UK Modern – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-H-CUT-HG
UK Modern – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-L-BST-HG
UK Modern – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-L-CUT-HG
UK Modern – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-M-BST-HG
UK Modern – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-M-CUT-HG
UK Modern – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-P-BST-HG
UK Modern – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK MOD-P-CUT-HG
UK Modern – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKMOD-SCOOP-HG
UK Modern – Mid EQ set to full cut position and High and Low EQ set to
full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-FLAT-HG
UK 1970’s – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-H-BST-HG
UK 1970’s – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-H-CUT-HG
UK 1970’s – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-L-BST-HG
UK 1970’s – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-L-CUT-HG
UK 1970’s – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-M-BST-HG
UK 1970’s – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-M-CUT-HG
UK 1970’s – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-P-BST-HG
UK 1970’s – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-P-CUT-HG
UK 1970’s – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK70S-SCOOP-HG
UK 1970’s – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-FLAT-HG
UK 1980’s – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-H-BST-HG
UK 1980’s – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-H-CUT-HG
UK 1980’s – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-L-BST-HG
UK 1980’s – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-L-CUT-HG
UK 1980’s – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-M-BST-HG
UK 1980’s – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-M-CUT-HG
UK 1980’s – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-P-BST-HG
UK 1980’s – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-P-CUT-HG
UK 1980’s – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK80S-SCOOP-HG
UK 1980’s – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-FLAT-HG
UK 1990’s – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-H-BST-HG
UK 1990’s – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-H-CUT-HG
UK 1990’s – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-L-BST-HG
UK 1990’s – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-L-CUT-HG
UK 1990’s – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-M-BST-HG
UK 1990’s – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-M-CUT-HG
UK 1990’s – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-P-BST-HG
UK 1990’s – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-P-CUT-HG
UK 1990’s – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UK90S-SCOOP-HG
UK 1990’s – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-FLAT-HG
UK Blues – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-H-BST-HG
UK Blues – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-H-CUT-HG
UK Blues – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-L-BST-HG
UK Blues – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-L-CUT-HG
UK Blues – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-M-BST-HG
UK Blues – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-M-CUT-HG
UK Blues – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-P-BST-HG
UK Blues – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-P-CUT-HG
UK Blues – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
UKBLS-SCOOP-HG
UK Blues – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-FLAT-HG
US High Gain – EQ set to ‘flat’ position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-H-BST-HG
US High Gain – High EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-H-CUT-HG
US High Gain – High EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-L-BST-HG
US High Gain – Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-L-CUT-HG
US High Gain – Low EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-M-BST-HG
US High Gain – Mid EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-M-CUT-HG
US High Gain – Mid EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-P-BST-HG
US High Gain – Presence EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-P-CUT-HG
US High Gain – Presence EQ set to full cut position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
US-HIGN-SCOOP-HG
US High Gain – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content.
This is the preamp to eq direct out, so that it can be matched
to your choice of speaker output or other effect processing loops.
I truly hope that this collection adds to your enjoyment of Nebula Pro.
Thanks and God Bless You.
Sincerely,
Michael Angel
CDSoundMaster.com