The Producer’s Pack 3 – GTR VTQ Presets for Nebula Pro – Manual

The Producer’s Pack 3 – GTR VTQ Presets for Nebula Pro

    Library Creator: Michael Angel, www.CDSoundmaster.com

    Manual Index

    Installation
    The Programs

    Installation

    For PC Users:

    Use the included installer to select your NebulaTempRepository Folder to install
    the collection there. Or, you can simply copy all "n2p"files to your
    Nebula "Programs" folder and copy all "n2v" files to your "Vectors" folder.

    For Mac Users:

    Copy all "n2p" files to your Nebula "Programs" folder and copy all "n2v" files to your "Vectors" folder.

    Return To Index


    The Programs


    The Producer’s Pack 3 – GTR VTQ Presets for Nebula Pro provides you with Preset EQ settings from the finest single emulation combo amp. These EQ presets allow the user to use these EQ presets separate from the rest of the signal chain so that it can be combined with their favorite selection of guitar processing tools, from distortion and overdrive to cabinet speakers. Settings include flat, scooped, low, mid, high, and presence boost and cut settings, all dependent on the original amp selected.

    The EQ presets run directly through the amp “preamp” input at low and high gain settings, sent directly out of the effect “send” output so that it bypasses the entire output power stage and cabinet speaker output.

    You must be using an updated version of Nebula Pro Commercial for this collection.

    It is designed to be used with the “Reverb” instance of Neb Pro.

    Program Description:


    The Producer’s Pack 3 – GTR VTQ Presets for Nebula Pro is installed to the “PP3” main category. Under this category, there are the sub-categories:
    “HG” for High Gain settings “LG” for Low Gain settings “CLN” for Clean, No Harmonic settingsThe final sub-category beneath these provide abbreviations for each amp eq modeled. These designate the following:


    A15 – AC15
    15T – AC15 TOP BOOST
    A30 – AC30
    30T – AC30 TOP BOOST
    BLK – BLACK 2X12
    BCL – BOUTIQUE CLEAN
    BOD – BOUTIQUE OVERDRIVE
    REC – RECTIFIER
    T12 – TWEED 1X12
    T41 – TWEED 4X10
    UKM – UK MODERN
    U70 – UK 70’S
    U80 – UK 80’S
    U90 – UK 90’S
    UBL – UK BLUES
    UHG – U.S. HIGH GAIN


    Program List


    A15-FLAT-HG
    A15-TB-BT-HG
    A15-TB-CUT-HG
    A15-TB-CUT1-HG
    A15TB-FLAT-HG
    A15TB-H-BST-HG
    A15TB-H-CUT-HG
    A15TB-L-BST-HG
    A15TB-L-CUT-HG
    A15TB-LH-BST-HG
    A15TB-LH-CUT-HG
    A30-BST-HG
    A30-CUT-HG
    A30-FLAT-HG
    A30TB-FLAT-HG
    A30TB-H-BST-HG
    A30TB-H-CUT-HG
    A30TB-L-BST-HG
    A30TB-L-CUT-HG
    A30TB-LH-BST-HG
    A30TB-LH-CUT-HG
    A30TB-TB-BST-HG
    A30TB-TB-CT-HG
    BLK2X12-FLAT-HG
    BLK2X12-H-BST-HG
    BLK2X12-H-CUT-HG
    BLK2X12-L-BST-HG
    BLK2X12-L-CUT-HG
    BLK2X12-M-CUT-HG
    BLK2X12-MBST-HG
    BLK2X12-MBST2-HG
    BLK2X12-P-BST-HG
    BLK2X12-P-CUT-HG
    BLK2X12-SCOOP-HG
    BOUT-CL-FLAT-HG
    BOUT-CL-H-BST-HG
    BOUT-CL-H-CUT-HG
    BOUT-CL-L-BST-HG
    BOUT-CL-L-CUT-HG
    BOUT-CL-M-BST-HG
    BOUT-CL-M-CUT-HG
    BOUT-CL-P-BST-HG
    BOUT-CL-P-CUT-HG
    BOUT-CL-SCOOP HG
    BOUT-OD-FLAT-HG
    BOUT-OD-H-BST HG
    BOUT-OD-H-CUT HG
    BOUT-OD-L-BST HG
    BOUT-OD-L-CUT HG
    BOUT-OD-M-BST HG
    BOUT-OD-M-CUT HG
    BOUT-OD-P-CUT HG
    BOUT-OD-SCOOP-HG
    RECTO-FLAT-HG
    RECTO-H-BST-HG
    RECTO-H-CUT-HG
    RECTO-L-BST-HG
    RECTO-L-CUT-HG
    RECTO-M-BST-HG
    RECTO-M-CUT-HG
    RECTO-P-BST-HG
    RECTO-P-CUT-HG
    RECTO-SCOOP-HG
    TWD1X12-BST-HG
    TWD1X12-CUT-HG
    TWD1X12-FLAT-HG
    TWD4X10-FLAT-HG
    TWD4X10-H-BST-HG
    TWD4X10-H-CUT-HG
    TWD4X10-L-BST-HG
    TWD4X10-L-CUT-HG
    TWD4X10-M-BST-HG
    TWD4X10-M-CUT-HG
    TWD4X10-MH1-HG
    TWD4X10-MH2-HG
    TWD4X10-MH3-HG
    TWD4X10-MH4-HG
    TWD4X10-MH5-HG
    TWD4X10-MH6-HG
    TWD4X10-P-BST-HG
    TWD4X10-P-CUT-HG
    TWD4X10-SCOOP-HG
    UK MOD-FLAT-HG
    UK MOD-H-BST-HG
    UK MOD-H-CUT-HG
    UK MOD-L-BST-HG
    UK MOD-L-CUT-HG
    UK MOD-M-BST-HG
    UK MOD-M-CUT-HG
    UK MOD-P-BST-HG
    UK MOD-P-CUT-HG
    UKMOD-SCOOP-HG
    UK70S-FLAT-HG
    UK70S-H-BST-HG
    UK70S-H-CUT-HG
    UK70S-L-BST-HG
    UK70S-L-CUT-HG
    UK70S-M-BST-HG
    UK70S-M-CUT-HG
    UK70S-P-BST-HG
    UK70S-P-CUT-HG
    UK70S-SCOOP-HG
    UK80S-FLAT-HG
    UK80S-H-BST-HG
    UK80S-H-CUT-HG
    UK80S-L-BST-HG
    UK80S-L-CUT-HG
    UK80S-M-BST-HG
    UK80S-M-CUT-HG
    UK80S-P-BST-HG
    UK80S-P-CUT-HG
    UK80S-SCOOP-HG
    UK90S-FLAT-HG
    UK90S-H-BST-HG
    UK90S-H-CUT-HG
    UK90S-L-BST-HG
    UK90S-L-CUT-HG
    UK90S-M-BST-HG
    UK90S-M-CUT-HG
    UK90S-P-BST-HG
    UK90S-P-CUT-HG
    UK90S-SCOOP-HG
    UKBLS-FLAT-HG
    UKBLS-H-BST-HG
    UKBLS-H-CUT-HG
    UKBLS-L-BST-HG
    UKBLS-L-CUT-HG
    UKBLS-M-BST-HG
    UKBLS-M-CUT-HG
    UKBLS-P-BST-HG
    UKBLS-P-CUT-HG
    UKBLS-SCOOP-HG
    US-HIGN-FLAT-HG
    US-HIGN-H-BST-HG
    US-HIGN-H-CUT-HG
    US-HIGN-L-BST-HG
    US-HIGN-L-CUT-HG
    US-HIGN-M-BST-HG
    US-HIGN-M-CUT-HG
    US-HIGN-P-BST-HG
    US-HIGN-P-CUT-HG
    US-HIGN-SCOOP-HG

    THIS SAME LIST IS REPEATED FOR: ENDING IN “LG” FOR LOW GAIN ENDING IN “C” FOR CLEAN



    A15-FLAT-HG
    AC15 EQ set to a flat setting at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15-TB-BT-HG

    AC15 Top Boost EQ Bright at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15-TB-CUT-HG

    AC15 Top Boost EQ slight Cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15-TB-CUT1-HG

    AC15 Top Boost EQ full Cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-FLAT-HG

    AC15 Top Boost – EQ set to Flat at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-H-BST-HG

    AC15 Top Boost – EQ set to High Boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-H-CUT-HG

    AC15 Top Boost – EQ set to High Cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-L-BST-HG

    AC15 Top Boost – EQ set to Low Boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-L-CUT-HG

    AC15 Top Boost – EQ set to Low Cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-LH-BST-HG

    AC15 Top Boost – EQ set to Low and High Boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A15TB-LH-CUT-HG

    AC15 Top Boost – EQ set to Low and High Cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30-BST-HG

    AC30 – Top Boost EQ set to full boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30-CUT-HG

    AC30 – Top Boost EQ set to full CUt at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30-FLAT-HG

    AC30 – Top Boost EQ set to a centered ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-FLAT-HG

    AC30 Top Boost – Top Boost EQ set to a centered ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-H-BST-HG

    AC30 Top Boost – High EQ set to full boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-H-CUT-HG

    AC30 Top Boost – High EQ set to full cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-L-BST-HG

    AC30 Top Boost – Low EQ set to full boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-L-CUT-HG

    AC30 Top Boost – Low EQ set to full cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-LH-BST-HG

    AC30 Top Boost – Low and High EQ set to full boost at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-LH-CUT-HG

    AC30 Top Boost – Low and High EQ set to a full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-TB-BST-HG

    AC30 Top Boost – Top Boost EQ set to a full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    A30TB-TB-CT-HG

    AC30 Top Boost – Top Boost EQ set to full cut at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-FLAT-HG

    Black 2×12 – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-H-BST-HG

    Black 2×12 – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-H-CUT-HG

    Black 2×12 – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-L-BST-HG

    Black 2×12 – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-L-CUT-HG

    Black 2×12 – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-M-CUT-HG

    Black 2×12 – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-MBST-HG

    Black 2×12 – Mid EQ set to 3/4 boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-MBST2-HG

    Black 2×12 – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-P-BST-HG

    Black 2×12 – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-P-CUT-HG

    Black 2×12 – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BLK2X12-SCOOP-HG

    Black 2×12 – EQ set to full cut position of the Mid EQ and full boost of the Low and High EQ’s at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-FLAT HG

    Boutique Clean Channel – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-H-BST-HG

    Boutique Clean Channel – Hi EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-H-CUT-HG

    Boutique Clean Channel – Hi EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-L-BST-HG

    Boutique Clean Channel – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-L-CUT-HG

    Boutique Clean Channel – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-M-BST-HG

    Boutique Clean Channel – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-M-CUT-HG

    Boutique Clean Channel – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-P-BST-HG

    Boutique Clean Channel – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-P-CUT-HG

    Boutique Clean Channel – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-CL-SCOOP-HG

    Boutique Clean Channel – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-FLAT-HG

    Boutique Overdrive Channel – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-H-BST HG

    Boutique Overdrive Channel – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-H-CUT HG

    Boutique Overdrive Channel – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-L-BST HG

    Boutique Overdrive Channel – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-L-CUT HG

    Boutique Overdrive Channel – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-M-BST HG

    Boutique Overdrive Channel – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-M-CUT HG

    Boutique Overdrive Channel – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-P-BST HG

    Boutique Overdrive Channel – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-P-CUT HG

    Boutique Overdrive Channel – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-SCOOP-HG

    Boutique Overdrive Channel – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    BOUT-OD-P-CUT HG

    Boutique Overdrive Channel – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-FLAT-HG

    Rectifier – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-H-BST-HG

    Rectifier – High EQ set to the full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-H-CUT-HG

    Rectifier – High EQ set to the full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-L-BST-HG

    Rectifier – Low EQ set to the full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-L-CUT-HG

    Rectifier – Low EQ set to the full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-M-BST-HG

    Rectifier – Mid EQ set to the full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-M-CUT-HG

    Rectifier – Mid EQ set to the full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-P-BST-HG

    Rectifier – Presence EQ set to the full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-P-CUT-HG

    Rectifier – Presence EQ set to the full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    RECTO-SCOOP-HG

    Rectifier – Mid EQ set to the full cut position and the Low and High EQ set to a full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD1X12-BST-HG

    Tweed 1×12 – “Tone” Control, High EQ set to the full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD1X12-CUT-HG

    Tweed 1×12 – “Tone” Control, High EQ set to the full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD1X12-FLAT-HG

    Tweed 1×12 – “Tone” Control, High EQ set to the ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-FLAT-HG

    Tweed 4X10 – EQ set to the ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-H-BST-HG

    Tweed 4X10 – High EQ set to the boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-H-CUT-HG

    Tweed 4X10 – High EQ set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-L-BST-HG

    Tweed 4X10 – Low EQ set to the boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-L-CUT-HG

    Tweed 4X10 – Low EQ set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-M-BST-HG

    Tweed 4X10 – Mid EQ set to the boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-M-CUT-HG

    Tweed 4X10 – Mid EQ set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-MH1-HG

    Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive. To provide this effect for variations in tone, MH1-Through-MH6 allow you to use settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up with the High EQ turned all of the way down. set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-MH2-HG

    Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive. To provide this effect for variations in tone, MH1-Through-MH6 allow you to use settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up with the High EQ turned all of the way down. set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-MH3-HG

    Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive. To provide this effect for variations in tone, MH1-Through-MH6 allow you to use settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up with the High EQ turned all of the way down. set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-MH4-HG

    Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive. To provide this effect for variations in tone, MH1-Through-MH6 allow you to use settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up with the High EQ turned all of the way down. set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-MH5-HG

    Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive. To provide this effect for variations in tone, MH1-Through-MH6 allow you to use settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up with the High EQ turned all of the way down. set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-MH6-HG

    Tweed 4X10 – The Mid and High EQ controls of the Tweed 4×10 EQ are highly interactive. To provide this effect for variations in tone, MH1-Through-MH6 allow you to use settings with both knobs at once. MH1 is the Mid EQ turned all of the way down with the High EQ turned all of the way up. MH6 provides the Mid EQ turned all of the way up with the High EQ turned all of the way down. set to the cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-P-BST-HG

    TWEED 4X10 – Presence EQ set to the full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-P-CUT-HG

    TWEED 4X10 – Presence EQ set to the full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    TWD4X10-SCOOP-HG

    TWEED 4X10 – Mid EQ set to the full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-FLAT-HG

    UK Modern – EQ set to the ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-H-BST-HG

    UK Modern – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-H-CUT-HG

    UK Modern – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-L-BST-HG

    UK Modern – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-L-CUT-HG

    UK Modern – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-M-BST-HG

    UK Modern – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-M-CUT-HG

    UK Modern – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-P-BST-HG

    UK Modern – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK MOD-P-CUT-HG

    UK Modern – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKMOD-SCOOP-HG

    UK Modern – Mid EQ set to full cut position and High and Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-FLAT-HG

    UK 1970’s – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-H-BST-HG

    UK 1970’s – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-H-CUT-HG

    UK 1970’s – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-L-BST-HG

    UK 1970’s – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-L-CUT-HG

    UK 1970’s – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-M-BST-HG

    UK 1970’s – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-M-CUT-HG

    UK 1970’s – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-P-BST-HG

    UK 1970’s – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-P-CUT-HG

    UK 1970’s – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK70S-SCOOP-HG

    UK 1970’s – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-FLAT-HG

    UK 1980’s – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-H-BST-HG

    UK 1980’s – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-H-CUT-HG

    UK 1980’s – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-L-BST-HG

    UK 1980’s – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-L-CUT-HG

    UK 1980’s – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-M-BST-HG

    UK 1980’s – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-M-CUT-HG

    UK 1980’s – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-P-BST-HG

    UK 1980’s – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-P-CUT-HG

    UK 1980’s – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK80S-SCOOP-HG

    UK 1980’s – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-FLAT-HG

    UK 1990’s – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-H-BST-HG

    UK 1990’s – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-H-CUT-HG

    UK 1990’s – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-L-BST-HG

    UK 1990’s – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-L-CUT-HG

    UK 1990’s – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-M-BST-HG

    UK 1990’s – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-M-CUT-HG

    UK 1990’s – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-P-BST-HG

    UK 1990’s – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-P-CUT-HG

    UK 1990’s – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UK90S-SCOOP-HG

    UK 1990’s – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-FLAT-HG

    UK Blues – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-H-BST-HG

    UK Blues – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-H-CUT-HG

    UK Blues – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-L-BST-HG

    UK Blues – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-L-CUT-HG

    UK Blues – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-M-BST-HG

    UK Blues – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-M-CUT-HG

    UK Blues – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-P-BST-HG

    UK Blues – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-P-CUT-HG

    UK Blues – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    UKBLS-SCOOP-HG

    UK Blues – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-FLAT-HG

    US High Gain – EQ set to ‘flat’ position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-H-BST-HG

    US High Gain – High EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-H-CUT-HG

    US High Gain – High EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-L-BST-HG

    US High Gain – Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-L-CUT-HG

    US High Gain – Low EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-M-BST-HG

    US High Gain – Mid EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-M-CUT-HG

    US High Gain – Mid EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-P-BST-HG

    US High Gain – Presence EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-P-CUT-HG

    US High Gain – Presence EQ set to full cut position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.

    US-HIGN-SCOOP-HG

    US High Gain – Mid EQ set to full cut position and High and Low EQ set to full boost position at a high gain with full harmonic content. This is the preamp to eq direct out, so that it can be matched to your choice of speaker output or other effect processing loops.


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    I truly hope that this collection adds to your enjoyment of Nebula Pro.


    Thanks and God Bless You.
    Sincerely,
    Michael Angel
    CDSoundMaster.com